Singers
Jordan Baldwin, countertenor
Jordan Baldwin is a musician residing in Toronto. He recently completed his MMus in Historical Performance at the University of Toronto under the guidance of Jean MacPhail and Daniel Taylor. His studies were supported through the Dame Emma Kirkby and Suzie Leblanc Graduate Scholarship. In 2023, Jordan was a recipient of the France-Canada Cultural Exchange Award which allowed him to spend six weeks in Europe at several training programs including Academie Internationale de Musique de Paris and the Opera Connections workshop in Burgundy. Jordan was also a finalist in the National Capital Opera Competition in Ottawa, where he received the third prize. Jordan is an avid choral singer performing with several groups throughout the GTA including That Choir, Arcady, Brott Festival Choir, Saint James Cathedral Choir, Trinity Chapel Choir, and the Toronto Oratory. When not making music, Jordan is flying the friendly skies working for WestJet or training for his next triathlon.
Evelyn Barber, alto
Evelyn Barber is an aspiring singer, conductor and educator. She is currently in her fourth year of a Bachelor of Music degree in Voice Performance at Western University, studying under Torin Chiles. Evelyn is passionate about education and bringing the arts to all spaces; she has served as an arts educator with The Travelling Stage Studio in the Durham Region and had the wonderful opportunity to direct the music for various theatre productions, including 9 to 5: The Musical and Ride The Cyclone at Western University. Evelyn previously served as assistant conductor at Siloam United Church in London. She is currently co-conductor of the Student Leadership Choral Collective at Western University, and sings as the Alto choral scholar at New St. James Presbyterian Church. Evelyn is grateful to have sung with various choral ensembles including RESOUND Choir, London Pro Musica, Western University Singers, and multiple sacred chamber groups.
Roland Beach, tenor
Previously a soprano, Roland Beach started testosterone in 2023. He’s now in his second year at Western, training his new tenor voice and enjoying his time away from his home country, the US (Elbows up!). His work has spanned musical theater, operetta, and several years singing in and arranging for the Billboard-charting classical crossover trio REGINA. Roland also studied music production and recording at Northeast WI Technical College, where he learned from Grammy nominee Hans Christian. His favorite roles so far include Marmee in Little Women, Bunthorne in Patience, Strephon in Iolanthe, Beadle in Sweeney Todd, and Joe in the new musical Regular Joe. Passionate about trans representation, Roland documented his vocal transformation on his Youtube channel and on his upcoming debut album “Corner of the Sky.” recorded over his first year on hormones! The album also features him on piano, guitar, ukulele, horn, trumpet, and bodhrán.
Richard Corner, bass
Richard Corner started singing with the Tiffin School Boys’ Choir, and later as a treble soloist. He studied violin under Kenneth Piper and played jazz guitar with the West London Big Band and in Youth Action Theatre’s production of Blood Brothers in Kyiv. He studied philosophy at Liverpool, Oxford, King’s College London and Cornell. In London England, he performed in several BBC Proms at Royal Albert Hall, and at the Royal Festival Hall, Barbican and St. Paul’s Cathedral. He has sung in the UK with the Choir of Merton College Oxford, the Schola Cantorum of Oxford, the Brighton Singers, the Brighton Festival Chorus, and the Holst Singers. He has recorded for Naxos, Decca and Hyperion Records. In North America he has sung with the Cayuga Vocal Ensemble and Cornell University Chorale in Ithaca NY. Since moving to London ON, he has sung with the Gerald Fagan Singers, Fanshawe Chorus London, and Chor Amica.
Brooke Dufton, soprano
Praised for her ‘great skill’ (Globe and Mail) and ‘beautiful tone and control’ (The Chronicle-Herald), soprano Brooke Dufton specializes in new and early music. She has collaborated directly with many leading Canadian composers, premiering roles and works, many written for her, by John Beckwith, Norbert Palej, and others. She is also an acknowledged expert in R. Murray Shafer’s ecological works. She has studied and performed with Tafelmusik, Hellmuth Rillings’ Bach Institute, and Sequentia; toured with various Renaissance ensembles across Canada; lectured on medieval song; and transcribed and performed the role of Anima in a fully-staged production of Bingen’s Ordo Virtutum, for which she was featured on the CBC. Brooke holds a doctorate in Vocal Performance, and has taught for a number of institutions, including the Royal Conservatoire of Scotland, the Glenn Gould School, and the University of Toronto. She adjudicates, conducts, and maintains a global private studio. She is currently based in Stratford.
Kyle Guilfoyle, countertenor
Canadian countertenor Kyle Guilfoyle is a versatile artist and entrepreneur. A graduate of McGill University (BMus in Early Music Voice) and the University of Toronto (MMus in Early Music Voice), he has performed with esteemed programs including the Britten Pears Young Artist Programme and the American Bach Soloists Academy. Kyle has contributed to two recording projects with Analekta in collaboration with the Theatre of Early Music. Today, Kyle channels his creativity into Guest Getter, his restaurant marketing agency, where he helps hospitality businesses grow through innovative strategies and systems. Passionate about connecting artistry with entrepreneurship, Kyle thrives at the intersection of creativity, growth, and impact.
Ariel Harwood-Jones, soprano
Ms. Harwood-Jones began studying voice in high school with Barbara Collier, with Lois McDonall while attending University, and is now studying with Carol Baggott Forte. She has performed for Tafelmusik Chamber Choir, the Toronto Symphony Orchestra, Canadian Brass, Winnipeg Symphony, the Elora Festival Singers, and the Elmer Iseler Singers.
Ariel performed many of the great works of the Baroque and classical periods including Bach’s B minor Mass with Voices Chamber Choir, Magnificat and Cantata Wir danken dir, Gott, wir danken dir BWV 29 with Oxford Collegium Singers, and Handel’s Messiah with Choral Connection. Other solo engagements include Mozart’s Mass in C Minor with Masterworks, Bach’s Magnificat with the Nota Bene Baroque Players, and Handel’s Dixit Dominus with Tafelmusik. Taking inspiration from the latter, Ms. Harwood-Jones founded Kammmerchor London in the spring of 2016 to fill the need for a professional early music ensemble.
When not performing, she teaches voice in her private studio. She is also a piano technician for private clients and at Western University.
Malcolm MacDonald, tenor
Native to London Ontario, Malcolm began his musical journey at age five under the tutelage of Bill and Eva Bettger at Colborne St United. During his adolescent years, he continued by singing with the Banting Secondary School Senior Choir and “Fred’s Folk” music project, under the guidance of Sandi Mennill and Sharon Beeler, along with The Amabile Young Men’s Ensemble and Primus, under the guidance of Carol Beynon and Ken Fleet. Soon after, he attended Western University where he worked with several London-Based choral projects, notably the Conspirato Chamber Singers and Six Vocal Ensemble. Malcolm currently lives in Toronto where he spends his weeks composing and producing music for various digital media and learning apps for all ages, and his evening and weekends as a choral scholar at the Cathedral Church of St James.
Cameron MacKay, tenor
Cameron started singing as a treble chorister in St George’s Cathedral in Perth, Australia at a young age. His first stage performance was the lead role in Oliver! in Bloomington, Indiana at the age of nine. Growing up abroad, he studied cello, piano and voice before moving to Kingston, ON to attend Queen’s University where he obtained a bachelor’s degree in computer science. There he continued pursuing musical endeavours, joining a competitive a cappella group and leading it to competitions as its music director. Cameron currently studies classical Hindustani voice under his guru Ramneek Singh, and is an avid listener of both western and Indian classical vocal music.
Vanessa McCart, soprano
Originally from Québec, Vanessa holds a Bachelor of Music and Master of Arts in Music Theory from McGill University. An accomplished pianist and soprano, Vanessa sings in the St Paul’s Cathedral Choir in London. She has previously sung with the Orpheus Singers in Montreal, the Canadian Renaissance Music Summer Schools in London, and held a Lay Clerk position at Huron Chapel. Vanessa is currently a teacher candidate at Western University’s Faculty of Education.nnipeg born soprano, Ariel Harwood-Jones began studying voice in high school with Barbara Collier, with Lois McDonall while attending University, and is now further studying with Carol Baggott Forte. She has performed with Tafelmusik, the Toronto Symphony Orchestra, Canadian Brass, Winnipeg Symphony, the Elora Festival Singers, Nexus, Toronto Consort, and the Elmer Iseler Singers. She is a much sought-after performer in the Early Music, Baroque, Renaissance, and Classical Music circles.
Brian McMillan, bass
Brian McMillan is Director of the Music Library at Western University. Before coming to Western, he worked as a Music Reference Librarian at McGill University’s Marvin Duchow Music Library. Brian has sung and recorded with such ensembles as the Tafelmusik Chamber Choir, les Violons du Roy, the Aradia Ensemble, le Studio de musique ancienne de Montréal, the professional choir of the Orchestre symphonique de Montréal, and the Canadian Opera Company Chorus. He currently performs with London’s Chor Amica. He holds a BMus. (Honours) and a Master’s degree in Vocal Performance from McGill University and a Master of Information Studies from the University of Toronto.
Shawn Oakes, tenor
Shawn Oakes attended Wilfrid Laurier University and Brock University holding a BMus. and a BEd. He spent five summers in Germany under the direction of Helmuth Rilling touring Europe. Shawn conducted the Ontario Youth A Capella Chorus which competed and won at the international Barbershop Harmony Society’s midwinter convention five years in a row. He currently sings with Arcady and the Edison Singers, and sings regularly with The Brott Music Festival and the National Academy Orchestra as a chorister and soloist. He also works for the Brott Festival, Jeans ‘n Classics, and the Grand River Chorus as a choral and orchestra contractor. He is a section lead at St. Andrews United in Brantford and is the outreach co-ordinator between several performing arts groups and Wilfrid Laurier University’s Faculty of music. Shawn loves early music and enjoys playing recorder. During his university years he played Krumhorn and sackbutt and would love to learn other early instruments.
Grace Theriault, alto
A native of Windsor, Ontario, Grace has studied cello, piano, and voice from a very young age. After studying biomedical sciences at McGill and spending 5 years working in arts administration, she has returned to school and is currently studying voice at Western under Torin Chiles. She is active as a freelance cellist and vocalist and performs regularly with the London Community Orchestra, the choir at Metropolitan United Church, the Early Music Studio at Western, and several local theatre companies.
Taylor Webb, tenor
Taylor is an Arts Educator in the GEDSB and sings in choirs and stage productions across southern Ontario. He completed his Bachelor of Music at McMaster University and a Master of Teaching at the University of Toronto. Taylor’s recent notable performances include Robert Martin in The Drowsy Chaperone, a member of the ensemble chorus in the Brott Festival’s production of La Boheme, and Eric Whitacre’s The Sacred Veil with The Edison Singers. He sings and plays guitar, bass, and drums.
Laurence Williams, bass
Laurence Williams is the Director of Music at St. Paul’s Cathedral, London Ontario, where he is responsible for directing the three choirs (Adult Choir, Melody Makers (5 – 8 yr olds) and Choristers (8 – 12 yr olds). He was a Chorister at Westminster Abbey, singing for many royal occasions including the HRM Queen Mother’s Funeral in 2002. He was Organ Scholar at the Royal Chapel of St. George, Windsor Castle, and has had a freelance career in the UK and internationally as a bass-baritone soloist, accompanist, organist and educator. He is passionate about bringing great music to as many people as possible.
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